- Auctions show collectors are chasing permanence, with vintage Patek and Rolex commanding record prices while new releases fade fast.
- Gen Z has entered the market in force, treating Rolex, OMEGA and Audemars Piguet as social currency alongside Apple Watches.
- Independent watchmakers like Voutilainen, Journe and Rexhepi are gaining ground, with GPHG 2025 highlighting their growing cultural and market influence.
Predicting the luxury market in 2025 is as easy as predicting the Melbourne weather. One day we’re looking at a resurgence in consumer spending habits, buoyed by brand confidence and ROI for reputable maisons. The next, Trump launches 39% tariffs at breakneck speed on the Swiss to derail the industry and leave the big wigs in Geneva cancelling their winter ski trip in virgin Matterhorn snow.
The Luxury Market In 2025: Boom, Bust And Tariffs
The market is at a crossroads, splintering into new avenues of private watch clubs hosted in five-star hotels to streetside vendors flipping the latest novelties for quick profits.
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Fashion and accessories have cooled in key regions across Asia, while jewellery and watches have held up far better. Richemont’s latest update shows double-digit growth at its Jewellery Maisons, with Specialist Watchmakers softer, and LVMH reports a stable Watches and Jewelry division even as other categories wobble.
Auction Results Show Where Collectors Are Spending Big
Auctions have become the clearest pulse check. While luxury CEOs shuffle through quarterly slides trying to spin the slowdown, collectors in Hong Kong are happily throwing HK$212 million (~$41.5 million AUD) at vintage Pateks and Daytonas.

The Phillips sale blew past estimates not because the market is irrational, but because permanence is the new flex.
A one-of-one or a proven grail is safer than gambling on the flavour of the month. The record still belongs to Patek’s Grandmaster Chime at $31 million USD, a reminder that in watches more zeros equals more clout. Gen Z has clocked this too, according to BCG, reporting that more than half of them have upped their watch spend since 2021, and Sotheby’s claims a third of its buyers are now under 30.
Rolex, OMEGA And Royal Oak Dominate TikTok Culture
These are not kids snaking around Pitt St to buy Swatches. They’re lining up for Rolex, OMEGA and Royal Oaks, and broadcasting it on TikTok with the same energy their parents once reserved for a new Porsche 911.
The twist is they’ll happily wear an Apple Watch at the same time. Which is perhaps the clearest indication for me that I’m no longer a 20-something with my finger on the Gen Z pulse. Call it hedging, call it dual citizenship, but it shows how watches have crossed back into cultural mainstream.

This shift exposes the fatigue with Swiss novelties, too. For years the industry has dined out on endless new references, unveiled at Watches & Wonders with a fresh dial colour or case material dressed up as news, but collectors are starting to see through the churn.
Many releases these days will sit on the wrists before vanishing into the aftermarket abyss within weeks. Compare that with a vintage Daytona or a Nautilus, it feels less like a trend and more like a passport into a world of permanence, history and community.
Vintage Daytonas And Independents Rise
Independents like Kari Voutilainen, Rexhep Rexhepi, Raúl Pagès and, of course, your favourite billionaire’s favourite brand F. P Journe are feeding this desire for substance, not producing watches to chase cyclical trends. Some of the releases nominated for the the 2025 edition of the GPHG feel destined for the auction catalogue of 2050.

Scarcity is one part of it. Authorship is the other. Owning a Voutilainen carries the same weight as knowing the winemaker who bottled your cellar. It’s status with intimacy.
GPHG 2025 Highlights The Rise Of Independents
Rolex and Patek Philippe might skip the GPHG, yet the stage feels livelier than ever. Independents like Voutilainen, Laurent Ferrier, Parmigiani Fleurier and Urban Jürgensen are no longer just fringe players with their noses pressed against the boutique glass. They’re front row, trading blows with the Maisons that once dominated.
The so-called Oscars of watchmaking has morphed into something else entirely: a global showcase where independents turn scarcity and innovation into cultural heat.
Vintage And Independents Define The Future Of Collecting
Put together, it paints a vivid picture for those of us trying to predict the market trends: permanence has become the ultimate luxury.
Collectors are finding horological gold in vintage pieces that deliver history and stability. Independents offer craft and authorship. Yet, both offer better guarantees in a market that feels bloated by disposable novelties.

At auction the right watches continue to rise, spark bidding wars across time zones. Among Gen Z they function as social currency, just as visible on TikTok as they are at a dinner table. And in Geneva, the GPHG is quietly cementing independents at the heart of modern horology.
It means the future of watch collecting belongs to those who can resist gravity: vintage grails with stories attached, or independents with names that carry weight. The luxury market will always wobble, but collector habits show us which references will be able to weather the storm.